This art print after the Hundertwasser's painting "RESURRECTION OF ARCHITECTURE" (oeuvre 843) is a premium 7-colour offset print on 250 g/sqm illustration printing paper. Silver and highly refractive golden glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 84 x 59,4 cm / 33,0" x 23,4,0"
Image format:  76 x 53,5 cm / 29,9" x 21,0"
Print: premium 7-colour offset print on 250 g/sqm Chromolux paper
Processing: silver and highly refractive golden glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This original art print after the Hundertwasser's painting "GOOD MORNING CITY" (oeuvre 686) is a premium 7-colour offset print on 300 g/sqm mat coated paper. Highly refractive silver glossy-foils are embossed in several finishing steps. Four specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Page format: 60 x 138 cm / 23,7" x 54,3"
Print: premium 7-colour offset print on 300 g/sqm mat coated paper
Processing: highly refractive silver glossy-foil embossings + partial UV-varnishing
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting „THE BIG WAY" (oeuvre 224) is a premium 7-colour offset print on 350 g/sqm matt coated illustration printing paper. Golden glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Hundertwasser comment about the work:

„Because of the human scale of this spiral, it seems like a human trap of sorts. I started out exactly in the middle, pushing the spiral a bit further outward each day. The complementary colors red and blue make for a powerfully vibrating tonality. The open spaces within the spiral have been filled in with small fields that add up to form a cross within the spiral. I also had in mind the circular form of hopscotch that kids play and that's called "Snail's Hopscotch" in German (the French call it jeu d'oie). You start hopping and gradually move toward the center, until you miss a field and have to start all over again. You advance and are forced to retreat, just like in real life. Compared to the other images, this one allows for an additional way of viewing, as you do not have to look at it as a whole. Starting in the middle you can follow the entire course of the spiral with your finger or your eyes and become aware of how narrow the path often gets, how its colors change and what obstacles there are on the way. In order to follow the course mechanically you need to allow yourself several minutes at least. Among other things, you will arrive at bulges that seem like lakes or clearings. At the same time, the whole thing resembles a giant coiled-up snake that is digesting a few living beings it has just swallowed. The image is also likely to induce a feeling of dizziness in the viewer. When viewed from a distance, the image as a whole becomes the inside of a long hose seen in perspective, that leads into the blue sky. (Hundertwasser, 1955) My most significant spiral painting. I always wanted to place it next to the painting "The Kiss" by Klimt, which is also square, to compare the two. The red and blue spiral ribbons shimmer. It is often used for meditative purposes. So many stories have been associated with this painting. When it was exhibited as a major work in the Salon de Mai of 1956 in Paris, the sculptor Cesar showed me his work, an automobile crushed to a cube.“

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 291)

Art print format: 67 x 67 cm / 26,4" x 26,4"
Image fromat: 63 x 62,5 cm / 24,8" x 24,6"
Print: premium 7-colour offset print on 350 g/sqm matt coated illustration printing paper
Processing: highly reflective gold glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This original art print after the Hundertwasser's painting "WE LIVE IN PARADISE" (oeuvre 134) is a premium 7-colour offset print on 250 g/sqm Chromolux paper. Highly refractive silver glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 60 x 138 cm / 23,7" x 54,3"
Print: premium 7-colour offset print on 250 g/sqm Chromolux paper
Processing: highly refractive silver glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's original poster "ARCHE NOAH 2000" (oeuvre 775A) is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. Glitter blue and silver glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 40 x 50 cm / 15,7" x 19,7"
Image format:  26,5 x 37,5 cm / 10,4" x 14,7"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper
Processing: glitter blue and silver glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's original poster "IMAGINE TOMORROWS WORLD" (oeuvre 944C) is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. Gold, black and highly refractive silver glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 40 x 50 cm / 15,7" x 19,7"
Image format: 26,5 x 32 cm / 10,4" x 12,6"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper
Processing: black, gold and highly refractive silver glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

Thisart printafter theHundertwasser's painting "THE BLOB GROWS IN A FLOWER POT" (oeuvre 725)is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. Glitter blue and highly refractive golden glossy-foils are embossed and overprinted in a complex print and drying process. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Hundertwasser comment about the work:

"In New Zealand I read in a newspaper that in one corner of a garden in England a blob was growing and growing. The horrified people couldn't burn or cut up the blob, nor dislodge it or get rid of it any other way. The blob even crawled up a telephone pole. Scientists don't know what it is."

(from: Catalogue Museum Ludwig, Cologne, 1980, p. 288 - see also 745 BLOBS GROW IN BELOVED GARDENS)

Art print format: 48 x 48 cm / 18,9" x 18,9"
Image fromat: 43 x 39 cm / 16,9" x 15,3"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper
Processing: glitter blue and highly refractive gold glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting "WE LIVE IN PARADISE" (oeuvre 134) is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. Highly refractive silver glossy-foils are embossed. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Hundertwasser comment about the work:

"This is an arithmetical row of heads in windows. A kind of vanishing-point perspective in which humanoid beings grow smaller and vanish. But here, too, the right to a second and third skin is realised, the right to individual clothing and the window right. The window frames have different colours. There are also people with three eyes. the bodies don't exist, the beings consist of heads. The walls don't exist. The house consists of windows. The first picture of this kind, in which I show a concentration of windows with people in them. The impish character is typical of the loss of individuality and mechanisation and computerisation of the masses of humanity in residential buildings. The arithmetical row, one next to the other, brings a new perspective to architecture which does not confrom with the customary rules of perspective. (from: Hundertwasser Architecture, Cologne, 1997, pp. 18-19) Definitely a social-critical, urbanist-problematical, socially charged work without my realising it. The heads that look like aliens I have from Brô. It is an arithmetic sequence of heads - 1, 2, 3, 4 etc. - one above the other, until the heads in the right quarter, 80, got so close together - 17 atop one another, but there were supposed to be 21! - and I didn't want to go on and painted the rest of the space red. Facchetti kept telling me I had to keep out of sight to attract attention and be successful. My answer was that first people did have to know that I existed! At any rate, Facchetti, who had all my pictures, put that into practise this way: a collector told me that if he wanted to see my pictures he was told to come back tomorrow, then next week, next month, then in half a year! "Ne vous inquietez pas . . . revenez demain, la semaine prochaine, dans un mois . . ." But as the collector would not leave off even after months of this, Facchetti left the room and showed the collector a corner (maybe an eighth) of the 99 Heads on his way out, saying "C'est tout ce que je peux vous montrer pour aujourd'hui" (That's all I can show you today)."

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 224)

Art print format: 48 x 48 cm / 18,9" x 18,9"
Image fromat: 39,5 x 42 cm / 15,3" x 16,5"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper.
Processing: highly refractive silver glossy-foil embossings
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting "ANTIPODE KING" (oeuvre 928) is a premium 8-colour offset print on 250 g/sqm chromolux paper. Silver, gold and highly refractive silver glossy-foils are embossed in several finishing steps. Four specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 59,4 x 84 cm / 23,4" x 33,1"
Image format: 51 x 65 cm / 20,1" x 25,6"
Print: premium 8-colour offset print on 350 g/sqm paper
Processing: highly refractive silver, gold and glossy-foil embossings partial UV-varnishing
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting "CROSSROADS" (oeuvre 875) is a premium 7-colour offset print on 300 g/sqm illustration printing paper. Highly refractive silver glossy-foils are embossed and overprinted in a complex print and drying process. After this process the print is embossed with blue glossy foils. Four specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

Art print format: 59,4 x 84 cm / 23,4" x 33,0"
Image format:  53 x 67 cm / 20,8" x 26,4"
Print: premium 7-colour offset print on 250 g/sqm illustration printing paper
Processing: blue and highly refractive silver glossy-foil embossings + partial UV-varnishing
Made in Germany
Manufacturer: Wörner Verlag GmbH