This Mini Art Print after the Hundertwasser's painting "THE BIG WAY" (oeuvre 224) is a 5-colour offset print on 300 g/sqm matt coated paper. In a further finishing step gold glossy-foil is embossed. This Hundertwasser art print is framed with a black acid-free passe-partout in a black frame behind real glass. 

Hundertwasser comment about the work:

„Because of the human scale of this spiral, it seems like a human trap of sorts. I started out exactly in the middle, pushing the spiral a bit further outward each day. The complementary colors red and blue make for a powerfully vibrating tonality. The open spaces within the spiral have been filled in with small fields that add up to form a cross within the spiral. I also had in mind the circular form of hopscotch that kids play and that's called "Snail's Hopscotch" in German (the French call it jeu d'oie). You start hopping and gradually move toward the center, until you miss a field and have to start all over again. You advance and are forced to retreat, just like in real life. Compared to the other images, this one allows for an additional way of viewing, as you do not have to look at it as a whole. Starting in the middle you can follow the entire course of the spiral with your finger or your eyes and become aware of how narrow the path often gets, how its colors change and what obstacles there are on the way. In order to follow the course mechanically you need to allow yourself several minutes at least. Among other things, you will arrive at bulges that seem like lakes or clearings. At the same time, the whole thing resembles a giant coiled-up snake that is digesting a few living beings it has just swallowed. The image is also likely to induce a feeling of dizziness in the viewer. When viewed from a distance, the image as a whole becomes the inside of a long hose seen in perspective, that leads into the blue sky. (Hundertwasser, 1955) My most significant spiral painting. I always wanted to place it next to the painting "The Kiss" by Klimt, which is also square, to compare the two. The red and blue spiral ribbons shimmer. It is often used for meditative purposes. So many stories have been associated with this painting. When it was exhibited as a major work in the Salon de Mai of 1956 in Paris, the sculptor Cesar showed me his work, an automobile crushed to a cube.“

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 291)

Frame format: 35,5 x 35,5 x 1,5 cm / 14.0" x 14.0" x 0,6"
Image format:  ca. 20 x 20 cm / 7.9" x 7.9"
Print: 5-colour offset print on 300 g/sqm matt coated paper
Processing: golden glossy-foil embossings
Passepartout colour: black
Made in Germany
Manufacturer: Wörner Verlag GmbH
 

This art print after the Hundertwasser's painting "LOEWENGASSE - THE THIRD SKIN" (oeuvre 839) is a premium 8-colour offset print on 250 g/sqm cast coated, high gloss paper. Glitter blue and silver glossy-foils are embossed in several finishing steps. Four specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

The black frame has a silver inner edge, the black passe-partout is acid-free and the glass is a 2 mm thick float glass. To prevent bending and waving because of fluctuations in temperature and humidity, the art print has been laminated on the back panel and the passe-partout has been glued on the art print. Furthermore the art print has been framed dust-proof. These production techniques have been applied to achieve a long lasting and optically perfect result.

A special feature of this product is the 2 mm thick scratch-resistant glass. Normally this glass is available in stationary shops only, as the risk of breakage during shipping is too high. Therefore most of the online stores and mail-order companies use materials like acrylic glass, which have obvious disadvantages. Acrylic glass builds up a electrostatic charge and acts like a magnet for dust and dirt particles. Furthermore it is nearly impossible to clean acrylic glass without scratching it. Therefore we developed a special packaging for shipping, to be able, to offer this Hundertwasser art print in a frame with a 2 mm thick scratch-resistant glass which is easy to clean.

Hundertwasser comment about the work:

"A Hundertwasser House architecture reverie. The project was in progress. Combining architecture and painting is difficult. I am reproached in architecture circles for just painting houses: it is all a Potemkin façade, i. e., flat, with nothing behind it. And at that I build in tandem with the architect Pelikan extremely varied, complicated houses full of nooks and crannies. It is on the contrary precisely the T-square-straight, soulless architectures which are flat and easy to analyse and construct with a computer. My houses - the computer people have said - often need more data input than medieval cathedrals."

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 639-640)

Frame format: 77 x 61,5 x 2,5 cm / 30,1" x 24,2" x 1"
Format of the visible art print: 57,0 x 44,4 cm / 22,4" x 17,5"
Print: premium 8-colour offset print on 250 g/sqm cast coated, high gloss paper.
Processing: glitter blue silver embossings + partial UV varnish
Frame: black frame with a silver inner edge, black passe-partout (acid-free), dust-proof processing and a 2 mm thick scratch-resistant glass
Made in Germany
Manufacturer: Wörner Verlag GmbH

This Mini Art Print after the Hundertwasser's painting "GREEN TOWN" (oeuvre 781) is a 5-colour offset print on 300 g/sqm matt coated paper. In a further finishing step green, blue glossy-foil and diffraction-silver is embossed. This Hundertwasser art print is framed with a acid-free, black passe-partout in a black frame behind real glass. 

Hundertwasser comment about the work 781 "GREEN TOWN"

"An urban architecture painting. The movement of pedestrians and cars takes place in the midst of grass and nature and tree-lined arcades. From above the city cannot be seen, as the roofs and level ground are also totally full of greenery. One thinks it is a forest landscape. It is similiar to painting 699 The Houses Are Hanging Underneath the Woods (Meadows): as a painter one can dream up architecture that really does get built one day. I`m glad I`m a painter and not an architect."

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 607f)

Frame format: 45,5 x 35,5 x 1,5cm / 17.9" x 14.0" x 0,6"
Image format:  ca. 30 x 20 cm / 15.7" x 11.8"
Print: 5-colour offset print on 300 g/sqm matt coated paper
Processing: green, glitter-blue and diffraction-silver glossy-foil embossings
Passepartout colour: black
Made in Germany
Manufacturer: Wörner Verlag GmbH

Each of the 3 framed Hundertwasser art cards has a format of 35,5 x 30,0 cm. The art cards in format 16 x 11,2 cm are a high quality 5-color offset-print of the Hundertwasser painting finished with metal-foil embossings and UV-varnishing. The black MDF-frames have a passepartout with perfect size in relation to the art cards.

In comparison to other framed Hundertwasser art cards, we offer framed Hundertwasser art cards which are officially approved by the Hundertwasser management. Beside the official copyright there is a beautiful designed text about the environmental friendly manufacturing of this product on the backside.

This beautiful framed Hundertwasser pictures are for sure an eyecatcher in your rooms. They are also perfect as a classy and high qualitative present.

Frame format: 35,5 x 30,0 x 1,8 cm / 14" x 11,8" x 0,7"
Card format: 16,0 x 11,2 cm / 6,3" x 4,4"
Frame: black MDF-frame with passepartout
Print: 5-color offset-print
Finishing: metal foil embossings and UV-varnishing
Included card: ZWOLLE, WAITING HOUSES and IT HURTS TO WAIT WITH LOVE, IF LOVE SOMEWHERE...

This Mini Art Print after the Hundertwasser's painting "IRINALAND OVER THE BALKANS" (oeuvre 691) is a 5-colour offset print on 300 g/sqm matt coated paper. In a further finishing step golden glossy-foil is embossed. This Hundertwasser art print is framed with a acid-free black passe-partout in a black frame behind real glass. 

Hundertwasser comment about the work: "IRINALAND OVER THE BALKANS"

"I wanted to paint a picture which seemed to dissolve and had lots of the Balkans in it. I was involved with a Bulgarian actress and went through real Casanova adventures, including hiding under the bed for hours, escaping out the window in my pyjamas, where the nearby florist completely sympathised with my plight and gave me food and lodging for nothing. And then a leap to the side to avoid being run over by a speeding rival who had been lying in wait for me in his car." 

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 542)

Frame format: 45,5 x 35,5 x 1,5 cm / 17.9" x 14.0" x 0,6"
Image format: ca. 30 x 20 cm / 11.8" x 7.9"
Print: 5-colour offset print on 300 g/sqm matt coated paper
Processing: golden glossy-foil embossings
Passepartout colour: black
Made in Germany
Manufacturer: Wörner Verlag GmbH

This Mini Art Print after the Hundertwasser's painting "THE HOUSES ARE HANGING UNDERNEATH THE WOODS (MEADOWS)" (oeuvre 699) is a 5-colour offset print on 300 g/sqm matt coated paper. In a further finishing step red and blue glossy-foil is embossed. This Hundertwasser art print is framed with a acid-free black passe-partout in a black frame behind real glass. 

Hundertwasser comment about the work 699 "THE HOUSES ARE HANGING UNDERNEATH THE WOODS (MEADOWS)"

"An important picture, as I dreamed up my later architectural work in it. As I did not think it was possible that I would ever build such a thing, I painted it. You can do that without a building permit, you know. A house on which forests live in storeys. With the elevator you come to the forest on the third or fourth storey. The lodgings for people are subordinate to the living space of the trees and are suspended on the undersides of the forests. I painted the picture in mid-winter, with snow in front of the windows of my mill in the Waldviertel. This was a time when the events of my life followed in rapid succession: nude demonstrations, the architect manifesto "Loose from Loos", voyages with the Regentag, a film by Peter Schamoni, the death of my mother and the beginning of my friendship with Joram Harel, to whom I confided my wish to be able to transform what I painted into real houses. He kept his word, and what seemed to be incredible came true."

(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 551-552)

Frame format: 45,5 x 35,5 x 1,5 cm / 17.9" x 14.0" x 0,6"
Image format:  ca. 30 x 20 cm / 15.7" x 11.8"
Print: 5-colour offset print on 300 g/sqm matt coated paper
Processing: red and blue glossy-foil embossings
Passepartout colour: black
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting "BLOBS GROW IN BELOVED GARDENS" (oeuvre 745) is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. In several finishing steps glitter blue and highly refractive golden glossy-foils are embossed and overprinted in a complex print and drying process. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

The silver frame has a grey inner edge, the passe-partout is acid-free and the glass is a 2 mm thick scratch-resistant float glass. To prevent bending and waving because of fluctuations in temperature and humidity, the art print has been laminated on the back panel and the passe-partout has been glued on the art print. Furthermore the art print has been framed dust-proof. These production techniques have been applied to achieve a long lasting and optically perfect result. 

Frame format: 62 x 62 x 2,5 cm / 24,4" x 24,4" x 1"
Format of the visible art print: 39,5 x 39,5 cm / 15,6" x 15,6"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper
Processing: glitter blue and highly refractive golden glossy-foil embossings
Frame: silver frame with a grey inner edge, black passe-partout (acid-free), dust-proof processing and a 2 mm thick scratch-resistant glass
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art printafter theHundertwasser's painting „ANTIPODE ISLAND“ (Oeuvre 756)is a premium 8-colour offset print on 300 g/sqm matt coated illustration printing paper. Glitter green, glitter red and highly refractive silver glossy-foils are embossed in several finishing steps. Three specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

The silver frame has a grey inner edge, the passe-partout is acid-free and the glass is a 2 mm thick scratch-resistant float glass. To prevent bending and waving because of fluctuations in temperature and humidity, the art print has been laminated on the back panel and the passe-partout has been glued on the art print. Furthermore the art print has been framed dust-proof. These production techniques have been applied to achieve a long lasting and optically perfect result. 

Frame format: 62 x 62 x 2,5 cm / 24,4" x 24,4" x 1"
Format of the visible art print: 38,7 cmx 39,5 cm / 15,2" x 15,6"
Print: premium 8-colour offset print on 300 g/qm matt coated illustration printing paper
Processing: glitter green, glitter red and highly refractive silver glossy-foil embossings
Frame: silver frame with a grey inner edge, black passe-partout (acid-free), dust-proof processing and a 2 mm thick scratch-resistant glass
Made in Germany
Manufacturer: Wörner Verlag GmbH

This art print after the Hundertwasser's painting "BIRTH OF A CAR" (oeuvre 886) is a premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper. Highly refractive gold and silver glossy-foils are embossed in several steps befor the printing process begins. Four specialized companies in the area around Stuttgart are involved in this complicated manufacturing process.

The silver frame has a grey inner edge, the passe-partout is acid-free and the glass is a 2 mm thick scratch-resistant float glass. To prevent bending and waving because of fluctuations in temperature and humidity, the art print has been laminated on the back panel and the passe-partout has been glued on the art print. Furthermore the art print has been framed dust-proof. These production techniques have been applied to achieve a long lasting and optically perfect result. 

Frame format: 62 x 62 x 2,5 cm / 24,4" x 24,4" x 1"
Format of the visible art print: 39,5 x 39,5 cm / 15,6" x 15,6"
Print: premium 7-colour offset print on 300 g/sqm matt coated illustration printing paper
Processing: highly refractive silver and golden glossy-foil embossings; partial UV varnish
Frame: silver frame with a grey inner edge, black passe-partout (acid-free), dust-proof processing and a 2 mm thick scratch-resistant glass
Made in Germany
Manufacturer: Wörner Verlag GmbH